Apex Magazine, Publishing/Editing, Slush Lesson, Writing

Uncanny Magazine’s Looking For Slush Editors!

uncanny

I’ve said it before, and I’ll say it again: if you’re an aspiring author and want to really improve your chances of being published, slush-editing for a good market is one of the best things you can do. Slushing for Apex was a great learning experience for me, and sparked the SLUSH LESSONS I’ve reposted here since they first appeared on the old Apex blog.

In brief: 30-60 submissions a month is essentially 1-2 stories a day, so while it’s a volunteer position (as was Apex’s), it’s pretty easy to keep on-top of. In exchange, it’s 1) a great learning experience if you’re a writer to see why X story gets pushed up and why Y story gets rejected outright, and 2) it’s a great way to build personal relationships with great authors and editors.

I slushed for Apex for almost five years, including under Lynne and Michael, and it was one of the best experiences if my career thus far, personally and for how it helped me look at my own fiction. I joined up with Apex originally for the love of short fiction, and to get to read some really great stuff, and to better understand the industry from the inside. Through that position, I got to attend several conventions (for free!), talk about slushing and working for a small press on panels, and meet a ton of amazing authors and fellow editors in the pro rooms. It also led to working as an interviewer for the magazine, and to a paying gig with Apex Book Company as a book formatter.

Since that day when I submitted my application to Apex, I’ve never looked back. If you get a chance to get in in the ground floor of Uncanny, do it! I’d apply myself if the Little Guy wasn’t already stretching my time too thin. So take a look and see if this might be for you!

Journal, Publishing/Editing, Three Questions, Writing, Zombies: More Recent Dead

THREE QUESTIONS: Jonathan Maberry

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Would you like one catastrophe with your story? Two? How about a zombie apocalypse on top of it all? “Jack and Jill,” Jonathan Maberry’s story in Zombies: More Recent Dead, is not for the weak of heart. Evil comes in threes, as a family struggles to cope with not only the cancer gradually consuming young Jack, but a massive supercell crashing down on top of them. But if straining levees and possible tornados aren’t bad enough, Jack’s twin–Jill–is bitten in a strange riot at their elementary school.

This is no Zomb-nado from SyFy. This is a cataclysm of the worst circumstances possible. The storm, the cancer, and the strange pale-faced people smeared in blood are bearing down on them, and Jack and Jill may not make it out alive.

This is a great, terrifying story, compounding so many mortal fears into one story, it’s impossible not to feel the chill running up your spine.

Prepare yourself for the coming apocalypse and save yourself a copy of Zombies: More Recent Dead before it’s released in September! You can pre-order a copy from Barnes & Noble, Powell’s Books, IndieBound, or Amazon.

 

1. The Writing Question: What is your typical writing routine? Do you write every day, some days, only when inspired?

I’m a full-time professional writer. I write, on average, three to five novels per year, along with two monthly comics (V-WARS and ROT & RUIN), as well as short stories, novels and novellas. In order to hit all my deadlines without driving myself batty, I’ve learned to be efficient. Much of that discipline comes from my background as a journalist and fifty years of jujutsu.

I write eight to ten hours per day. A little less on weekends. I do fifty minutes of writing each hour, and ten minutes of social media.

I generally outline my work, then dive in and write the opening and then the ending. Then I go back to the beginning and aim everything at the ending. Naturally I vary from my outline during the organic process of writing, but I find structure allows me to be usefully devious when building the plot. Knowing where something is going gives you plenty of opportunities to build clues, develop characters, and sew motifs into the fabric of the story.

As far as ‘waiting for inspiration’, I’m not one of those writers who buys into the self-created mythology of the writer. A writer writes. I don’t sit around like a tortured artiste waiting for the muse to whisper in my ear.

2. The Zombie Question: It’s a zombie apocalypse! Which three people (fictional or not) would you want in your survival team and why? What’s your weapon of choice?

My ideal zombie survival team would include Sherlock Holmes (we need someone who is both hyper-observant and detail oriented), Jack Bauer from 24 (high-degree of combat skills and utter ruthlessness), and my nephew, Chris, who can repair and drive anything with motors and wheels.

3. The Random Question: What other projects do you have forthcoming that you’d like to share with us?

I’m in the middle of my busiest year. I’m currently writing a novel inspired by the DEADLANDS role-playing game and will then launch into a new standalone horror novel about a recovering addict searching for her son, and the monsters who want to stop her. I have a new zombie novel, FALL OF NIGHT, due out on September 2. I also have two new comics –V-WARS (a humans vs vampire ethnic war saga) and ROT & RUIN (based on my bestselling young adult zombie novels). Two of my books, V-WARS and EXTINCTION MACHINE have just been optioned for TV, so I’m working with producers on those. And I’ve recently begun work as editor on a series of anthologies of new X-FILES stories.


Jonathan Maberry is a NY Times bestselling author, multiple Bram Stoker Award winner, and freelancer for Marvel Comics. His novels include CODE ZERO, ROT & RUIN, GHOST ROAD BLUES, PATIENT ZERO, THE WOLFMAN, and many others. Nonfiction books include ULTIMATE JUJUTSU, THE CRYPTOPEDIA, ZOMBIE CSU, and others. Several of Jonathan’s novels are in development for movies or TV including V-WARS, EXTINCTION MACHINE, ROT & RUIN and DEAD OF NIGHT. He’s the editor/co‐author of V‐WARS, a vampire‐themed anthology that will also be released as a board game; and is editing a series of all original X-FILES anthologies. He was a featured expert on The History Channel special ZOMBIES: A LIVING HISTORY. Since 1978 he’s sold more than 1200 magazine feature articles, 3000 columns, two plays, greeting cards, song lyrics, and poetry. His comics include V-WARS, ROT & RUIN, CAPTAIN AMERICA: HAIL HYDRA, BAD BLOOD, MARVEL ZOMBIES RETURN and MARVEL UNIVERSE VS THE AVENGERS. He lives in Del Mar, California wih his wife, Sara Jo and their dog, Rosie.www.jonathanmaberry.com

Publishing/Editing, Three Questions, Writing, Zombies: More Recent Dead

THREE QUESTIONS: Alex Dally MacFarlane

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The title of Alex Dally MacFarlane’s story, “Selected Sources for the Babylonian Plague of the Dead (572-571BCE),” may be nearly as long as the story itself, but its relatively short word count packs a punch. This is a wonderful, colorful tale allowing a stolen glimpse into a long-lost civilization governed by three powerful princesses whose cities are suddenly overrun with hordes of walking dead which all traditional zombie-slaying wisdom fails to eradicate. The detail and styling of this tale make it a delight to read, and the imagery–at once beautiful, then horrifying–will linger.

Prepare yourself for the coming apocalypse and save yourself a copy of Zombies: More Recent Dead before it’s released in September! You can pre-order a copy from Barnes & Noble, Powell’s Books, IndieBound, or Amazon.

1. The Writing Question: What is your typical writing routine? Do you write every day, some days, only when inspired?

I write fiction alongside other work: freelance work, my Tor.com column, postgraduate study (although I’m in-between degrees at the moment). I’ve also discovered it’s advisable to take time off and regularly exercise. Some weeks I write daily, some weeks I don’t write at all – it really depends on deadlines.

2. The Zombie Question: What enticed you to writing this zombie story?

There’s an Assyrian tablet about a fox falling into a well. I saw it and thought: oh, I need to put this in a story! So I did. The rest of the story grows from an article I read on my MA about the Babylonian princesses Innin-Eṭirat, Kaššaya and Ba’u-asītu: the three women in the story. They were real. The article is “Ba’u-asītu and Kaššaya, Daughters of Nebuchadnezzar II” by Paul-Alain Beaulieu. I wanted to write about these women sending letters to each other. Because I wanted to send a story to a zombie-themed anthology, Zombies: Shambling Through the Ages edited by Steve Berman, they’re sending letters about solving the problem of a plague. I wrote it in one day about a third of the way through my MA.

There’s another letter I love, from Šerua-eṭirat – eldest daughter of Esarhaddon, the king of Assyria – to Libbali-šarrat – wife of Assurbanipal, crown prince of Esarhaddon – where Šerua-eṭirat admonishes/encourages Libbali-šarrat to improve her literacy. The history of women is often flat, uniform, oppressed – the reality is more complex and varied than this. Though it frustratingly omits Babylonian evidence, after opening with a criticism of Herodotus’ oft-cited quote about Babylonian sexual practises, Women in the Ancient Near East: A Sourcebook edited by Mark Chavalas is an interesting introduction to the sources for this region. It includes Šerua-eṭirat’s letter.

In hindsight I wish I had put all of the story in letters instead of using a reconstructed oral tradition for part of it, but that’s perhaps a sign of how my fondness for letters grew during my MA.

3. The Random Question: What are you reading currently?

As I write this, I’m reading a few books! Are All Warriors Male? Gender Roles on the Ancient Eurasian Steppe is a book of articles edited by Katheryn M. Linduff and Karen S. Rubinson trying to examine the piecemeal evidence across millennia and a vast geographical region for evidence of gender roles: a daunting and difficult task, which can at best reach a conclusion of uncertainty, but very worthwhile. The best articles question how we ascribe gender on the basis of skeletons, grave goods and other evidence. Destabilising stereotypical assumptions and perceived uniformity is, in its way, the most important thing. I’m also slowly reading Cordelia Fine’s Delusions of Gender: The Real Science Behind Sex Differences, which looks at contemporary ideas of sex and gender and deconstructs a lot of bullshit. On the fiction side, I’m reading Jonathan Strahan’s The Best Science Fiction & Fantasy of the Year: Volume Eight (short stories!) and Iain M. Banks’ Surface Detail (space!).


Alex Dally MacFarlane is a writer, editor and historian. When not researching narrative maps in the legendary traditions of Alexander III of Macedon, she writes stories that can be found in Clarkesworld, Strange Horizons, Beneath Ceaseless Skies, Phantasm Japan, Solaris Rising 3, Heiresses of Russ 2013: The Year’s Best Lesbian Speculative Fiction, The Year’s Best Science Fiction & Fantasy: 2014 and other publications. Poetry can be found in Stone Telling, The Moment of Change, and Here, We Cross. She is the editor of Aliens: Recent Encounters (2013), and The Mammoth Book of SF Stories by Women (2014).

Journal, Publishing/Editing, Three Questions, Writing, Zombies: More Recent Dead

THREE QUESTIONS: Matthew Johnson

ZombiesMoreRecentDead_coverI really enjoyed Matthew Johnson’s story in this anthology. “The Afflicted” follows Kate as she wanders the quarantined national park where those carrying the virus have been relocated. The afflicted are the older generation, those primarily in nursing homes but also living on their own, and the disease has an unpredictable development pattern that can switch some into the vicious end-stage overnight and leave others lingering in anticipation of its onset. Kate’s background as a nursing home nurse has confined her to the quarantine park, where she continues to administer help and first aid to the individuals stuck there. But when a young girl shows up in the park unexpectedly, Kate may find she’s responsible for more than just the ailing.

This is a very sweet story of love and familial loyalty, and I highly recommend it. There’s a definite reason Johnson’s story was chosen to kick off the collection.

Prepare yourself for the coming apocalypse and save yourself a copy of Zombies: More Recent Dead before it’s released in September! You can pre-order a copy from Barnes & Noble, Powell’s Books, IndieBound, or Amazon.

1. The Writing Question: What is the best or worst piece of writing advice you’ve received?

The very best piece of writing advice I’ve ever encountered was from John M. Ford’s essay “Rules of Engagement,” about leaving things for readers to imagine for themselves: “If I told you, you would know less than you know now.”

The worst piece of advice is probably “write what you know,” because it’s so vague that it’s always going to make you worry that you’re doing something wrong.

2. The Zombie Question: What enticed you to writing this zombie story?

“The Afflicted” was actually inspired in part by my annoyance at the second season of The Walking Dead, in particular the stacked “debate” over whether the characters should kill the zombies or corral them in hopes of curing them later. The way the show had defined things, having compassion for them was not only wrong but dangerously foolish — and I’m always suspicious of anything that tells us not to feel compassion for anyone.

3. The Random Question: What are you reading currently?

My reading right now is dominated by the books nominated for the Endeavour Award for which I’m one of this year’s judges.


Matthew Johnson lives with his wife and two sons in Ottawa, where he works as Director of Education for MediaSmarts, Canada’s center for digital and media literacy resources. Irregular Verbs and Other Stories, a collection of his short fiction, was published in 2014 by ChiZine Publications. You can follow his work at irregularverbs.ca or on Twitter at @irregularverbal.

Apex Magazine, Publishing/Editing, Slush Lesson, Writing

SLUSH LESSONS: Delusions of Grandeur and Other Pitfalls

(This was originally published on the Apex Magazine blog in April 2011.)

How do you measure your success as a writer?

Is it the number of times you’ve been published? Or the quality of the publication your work appeared in? Is it how much you’re paid for your work? Or is it the number of award nominations you receive for it? Is it how many good reviews you’ve gotten? Or how much you like your own work? Or what groups you belong to? Or what panels you’ve been on? Or how many times you’ve been a guest at a convention? Or the number of times you’ve been on Oprah? Or the New York Times’ bestseller’s list?

This is a particularly hard question to answer for a writer who’s only just started out in the field. When sales are few and far between and the rejections are piling up, how do you measure your progress? And how do you know when you’ve slipped your toe across that golden finish line to receive the honorary title of having “made it”?

When I was reading Stephen King’s On Writing, the one thing he said that stuck with me more than anything else was that selling your first book (or even first story) is only the very first step in the race. That’s where the real work begins. It made me stop to consider the truth of that statement, because the more you think about it, the more you recognize that it’s not even about that first sale. It’s about everything. Success is a moving target. The writing folks I know who are much further along on their literary path than I am have no fewer worries, no fewer goals, no sense that they’ve done all they can yet. Those books on their shelves? There could be more. Or they could be selling better. Those pro-sales? If only they were more consistent! Looking from the ground floor up, it can seem funny that a professional author is no less concerned about becoming successful. They sure look successful to me! But as I grow my little publication list, I start to feel the same way. Five years ago, I would have been thrilled to know I had even one sale under my belt. Now? Still happy, but frantic to find the next one. It’s a bit like hunger: you have to keep eating to be satisfied, because the moment you stop is the moment you start getting hungry again.

And that’s a good thing. It means we’re always searching to better ourselves, improve, work harder, try different things. It helps us grow to have a mirage to trail after, hoping some day to sink our fingers into its shimmering promises of perfect satisfaction.

But what about when you’re fresh to the game? If making a sale or even a pro-sale is the only thing signifying any kind of success, it’s going to be a long, hard road. A good road, and one that many, many now well known authors have traveled, but it sure won’t do anything on its own to encourage you. There’s a reason why so many authors say, “If you’d rather be doing anything else, this probably isn’t for you.” So what’s a newbie to do?

In some ways, just recognizing that “success” is a moving target helps lighten the burden of feeling as though the only way you’ll be “successful” is if your books are snatched up Harry Potter style and turned into a seven (or eight?) part blockbuster movie extravaganza. That may come, if we’re really, really lucky, but for now, at the very beginning of the journey, that pressure only makes it harder to write crap (like we have to in order to get better). Our first attempt at lit writing isn’t going to be as densely literary as Ulysses, and our first attempt at science fiction isn’t going to be as inventive as Dune. We may get there after decades of work; a particularly talented few of us may actually hit that prowess much earlier; and most of us may never get there at all. And that’s okay.

Tangible goals are nice, too, because you can quantify and control the outcome yourself. A sale is something beyond your control, but getting a story submitted somewhere is all in your hands. Michele Lee has a great article on the Apex Blog about how to set goals (and the expectations that go along with each kind of goal). Planning to hit a certain submission count in a year is a great way to get yourself out there and certainly increases your chances of making a sale over leaving your work in the “to submit” folder on your desktop.

Writing is a very volatile career, even—it seems—for seasoned pros. There will be a lot of ups and a lot of downs, no matter where you are on the path. But it’s the journey that matters in the long run, not that gold-leaf, quivering finish line in the distance. It’s also helpful to see that even established authors go through the same struggles, as you’ll find in either Nick Mamatas’ Starve Better or Gary A. Braunbeck’s To Each Their Darkness.

What do you think? How do you approach the tantalizing idea of “true success”? Does it matter to you, or is it something you’ve stopped worrying about defining a long time ago? In your career—no matter what stage you’re at—what event has brought you closest to that moment of perfect satisfaction, even if only for a day, an hour, or a few minutes?

Apex Magazine, Publishing/Editing, Writing

SLUSH LESSONS: The World is Not Enough: The Challenge of Fitting Writing into an Already Busy Schedule

(This was originally posted on the Apex Magazine blog in October 2010.)

Life happens. That’s something I’ve learned day, by painstaking day, since I decided to pursue writing fiction seriously. Something is always getting in the way. During my senior year of college, it was the substantial strain of classes, thesis work, finals, getting engaged and prepping for an elopement, along with some stressful family health crises. After graduating, it was picking up a new volunteer side job, getting married, honeymooning overseas, coping with the inevitable end to one of the family health crises, moving across the country, renting our first apartment, and—oh yah!—finding a day job in a busted-up economy.

I had always presumed, during those months of chaotic change and growth, that things would eventually settle down, and give me the time I’d need to finally be able to dig back into writing. They didn’t. If it wasn’t one thing, it was another. Juggling multiple responsibilities, multiple roles, and the ever-present flux of life, I finally had to admit to myself that there was never going to be a “good time” to write. If I was going to take writing seriously–as nothing short of a career goal–it would mean pushing it up my priorities ladder and making time.

I’ve learned a few things about how to make all the tasks on my to-do list fit into a single day, and no—I’m often not as productive as I want to be. I’m a naturally messy, scatter-brained, stressed-out, over-extended creative type, who’s more likely to find things when they’re not put away in their “proper place.” It did not come easily, and I’m not done learning. Every new month, week, and day is a fresh learning opportunity for me. But of all the tiny, ah-ha! moments I’ve had to help me figure out the finesses of fitting the writing life into the rest of life, I’ve had four revelations that I always come back to. These are not secrets I’ve derived from the mysteries of the universe. In fact, they’re probably things you’ve heard before in different places, scattered throughout all the plentiful sources of writing advice. But let me boil it down to its essentials for those of you, like me, who wake up in the morning and think, “How on Earth am I going to get all this done, and write?”

1. Decide it’s worth it. And sacrifice for it. – This was perhaps both the easiest and the hardest thing for me to understand when I started out. On the one hand, I knew I really, really, REALLY wanted to write. It was in my blood. I thought about it all the time. I scribbled scraps of story ideas on infinite post-it notes and in journals and on the back of my hand or a napkin. Sometimes I even sat down for an hour or two and hammered out the first half of a short story before life caught up with me again. I loved it, but I wasn’t making any progress. I didn’t have time to finish things, or polish things, much less submit things. It was frustrating, and that frustration fed right into that evil editor inside my head who was constantly whispering, “Come on. You really think you can do this?”

I knew I had to do something, but it seemed like I’d already committed. I’d already said aloud to friends and family, and most importantly myself, that I wanted to focus seriously on writing. What was missing?

It took me writing out a schedule of my week, looking at how much time was spent doing any number of extra curricular activities, school work, actual day-job, and commuting (not to even mention making meals, sleeping, and spending time with family) to realize that even with the best intentions, I couldn’t possibly just “squeeze writing in” during those elusive downtime moments. I needed to cut back on things, to examine everything I was involved in and make the hard choices. If I wanted writing at the top of my priorities list, I had to make it the priority. I couldn’t feel that writing time was something that could be shifted, rescheduled, pushed off while I did things for other people. I had to start thinking about it as a career move, and that by skipping my writing time, or pushing other responsibilities ahead of it, I was cheating myself out of something really important. The writing time then came to symbolize “me time”: the time I spent working on something for myself, for my betterment, and as something that was important for my own happiness.

2. Set (reasonable) goals. – It may sound simple, but it’s often not. It’s easy to say “I’ll finish four short stories in a month!” or “I’ll get this novel draft done in twelve weeks, tops.” Even something as seemingly simple as “I’ll write 1000 words a day” can be a recipe for falling off the wagon.

I dream big, and often my aspirations are vastly more impressive than they are realistic. It’s important to set goals that you can actually hit despite your busy schedule, otherwise it’ll be all too easy to break the writing habit and let your resolve slide. Unobtainable goals, at least for me, make me sluggish, grumpy, and ultimately lazy. I’ll start off strong, but when I realize a goal is impossible to reach, my interest in even trying fades rapidly.

I make those goals all with the best intentions, but I’ve had to learn who I am and what I can and can’t do in order to find ways to trick myself into being productive. It’s also important to get to know yourself and understand your weaknesses. For example: I’m highly distractible. Ask anyone: my husband, my friends, my parents, my sister—they’ll all tell you it’s true. Setting a goal to sit down and write for five hours on a Saturday will not work for me. I’ve tried. And I’ve failed many, many times. I’ll sit down, totally focused, for about one to two hours, and then my brain just won’t take it anymore. I’ll start daydreaming. I’ll need to get up for various things I need to keep going. I’ll take a “twenty minute break” which ends up encompassing the rest of the day.

For me, a goal of 500 words per day (excluding Saturdays) does the trick: it takes me approximately half-an-hour to write 500 words, whether I’m on a roll or repeatedly smacking my head against a wall. It’s just long enough for me to suck it up and stick it out, even when I really, really don’t want to, but not so long that I’ll give up prematurely. And often, I end up writing a lot more than just 500 words, because once I get past the idontwannas, things tend to flow surprisingly fast. So whether it’s a word-count goal you can actually achieve, or a time requirement, or just a sentence a day, reasonable goals can achieve a lot more than huge ones.

But don’t neglect setting reasonable long-term goals, too. I keep two lists (because lists keep this scattered mind in order): one for monthly goals, and one for the year’s goals. I don’t necessarily worry if I don’t hit these longer goals in exactly the time-frame I’m hoping, but they do tend to keep me on track, and moving in the right direction. I think part of the benefit for me of having lists like this is that it protects my distractible mind from dwelling on what I want to accomplish in the upcoming months and year: another trick for keeping in-the-moment and on-task.

3. Reward yourself for achieving goals. – This doesn’t have to be expensive. I know a lot of authors who reward themselves with a new book, or chocolate, or a Starbuck’s coffee, for achieving their goals. Me, I’m even cheaper. I reward myself with stickers!

Silly as it may seem, I’m a sucker for positive—if cheap—reinforcement. I’ve got a variety of stickers, some for big goals, some for little ones. Double my 500 word requirement for a day? Sticker! Submit a rejected story within 24 hours of its last rejection? Sticker!

Clock in 3k words in one sitting, or sell a story? HUGE FRIGGIN STAR.

The reward really only needs to be something that makes you smile, and gives you that little extra push when you’re close to achieving one of those reasonable goals. I can’t tell you how many times I’ve wanted to stop writing for the day, only to see that I’m at 897 words, and just a hundred more would get me a smiley sticker. :)

4. Cut yourself some slack. – Here’s another hard lesson I learned after two years of getting very frustrated with my sluggardly progress. Life happens. It gets in the way, it clogs up the cogs, it throws you and everything else off the boat in the middle of the ocean. Sometimes, it’s important to just let go. Stop stressing. Take a walk. Take a week-long break. Breathe and recuperate. Read. Relax. Goals are great, but if you’re making yourself miserable because it’s the holidays and your kids are home from college and work is going nuts and you haven’t gotten more than four hours of sleep for the last two nights and you haven’t gotten your word count done for the past three days? Take the day off. Don’t beat yourself up with guilt that you aren’t writing. Just remember to take a look at your goal list and get back on the horse as soon as you can swing it (or even if you can’t—just make smaller goals and work your way back up!).

Happy Writing!

Author Interview, Publishing/Editing, Three Questions, Writing, Zombies: More Recent Dead

THREE QUESTIONS: Don Webb

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“Pollution,” by Don Webb, is a tale of exclusion and loneliness, lived out in the heart of a near-future Japan.  All Billy has ever wanted since he was a teenager was to be Japanese. He knows the language, studies the culture incessantly, and now lives in Nagoya as an English teacher. He does everything he can to fit in, to become what he was not born, but all his work seems in vain. But when he encounters an American kyonshi, a mechanically rehabilitated corpse used in the service industry, he gets a chance to glimpse into the hierarchy society in a way he never considered before.

Thoughtful and restrained, “Pollution” will linger in your quiet thoughts long after you’ve set the book aside.

Prepare yourself for the coming apocalypse and save yourself a copy of Zombies: More Recent Dead before it’s released in September! You can pre-order a copy from Barnes & Noble, Powell’s Books, IndieBound, or Amazon.

1. The Writing Question: What is the best or worst piece of writing advice you’ve received?

All writing (even far-out writing) is autobiographical in some sense.  All autobiography is far out fantasy in some sense.  I learned this from Zulfikar Ghose.

2. The Zombie Question: What part of the zombie trope do you find yourself most drawn to or most irritated by?

The mindlessness of the zombie gives me little room for dialectic.  The living may discover some of their own darkness, what does the zombie learn?

3. The Random Question: What other projects do you have forthcoming that you’d like to share with us?

Hippocampus Press is releasing (August 2014) a thirty year retrospective of my Lovecraftian fiction Through Dark Angles.


 

Don Webb has been published in every major SF/F/H magazine in the English- speaking world from Analog to Weird Tales. He teaches “Writing the Science Fiction Novel” at UCLA extension. He lives with has a beautiful wife and two tuxedo cats in Austin, Texas, where he has been a guest at the four local SF conventions for over twenty years.

Author Interview, Publishing/Editing, Writing

THREE QUESTIONS: Shira Lipkin

ZombiesMoreRecentDead_cover“Becca at the End of the World” by Shira Lipkin will break your heart. When your only child is bitten by a zombie and already starting to show signs of turning, what is a mother supposed to do? Some of the descriptions in this fairly short story really hit me hard and choked me up. Having a little guy of my own definitely drove home for me the horror of this story. Whether you have children or not, it’s a masterful piece that will linger with you long after you’ve turned the page.

Prepare yourself for the coming apocalypse and save yourself a copy of Zombies: More Recent Dead before it’s released in September! You can pre-order a copy from Barnes & Noble, Powell’s Books, IndieBound, or Amazon.

1. The Writing Question: Do you tend to plan your stories before you write them, or do you write and just see what you discover in the process?

I’m a complete pantser. I tend to know a few things about the story, usually including roughly how it’ll end, but for the most part, I just sit down to write and see what happens!

2. The Zombie Question: What enticed you to write this zombie story?

I never thought I’d write a zombie story, simply because I couldn’t think of a new way to do it! There’s such a wide variety of excellent zombie fiction out there already. In the end, I had to write this story because it was so personal. It wasn’t “write a story about zombies for the hell of it”, it was “here’s something interesting and primal about the mother/daughter bond; also, zombies.”

3. The Random Question: What other projects do you have forthcoming that you’d like to share with us?

I started a poetry magazine! Liminality (http://www.liminalitypoetry.com/) is a quarterly speculative poetry magazine that I co-edit with fellow writer Mat Joiner. We’re really excited about our first issue (coming this fall!) and already can’t wait to read for the next one.


Shira Lipkin has managed to convince Strange Horizons, Apex Magazine, Stone Telling, Clockwork Phoenix 4, and other otherwise-sensible magazines and anthologies to publish her work; two of her stories have been recognized as Million Writers Award Notable Stories, and she has won the Rhysling Award for best short poem. She credits luck, glitter eyeliner, and tenacity. She co-edits Liminality (http://liminalitypoetry.com/), a magazine of speculative poetry, with Mat Joiner. She lives in Boston and, in her spare time, fights crime with the Boston Area Rape Crisis Center. Her cat is bigger than her dog.

Journal, Writing

Life in the Improbability Lane

petuniaOh no, not again, said the writer-mom.

Setting goals has become incredibly difficult these days, and for those of you who follow this blog, you know how much I rely on goals to get anything done. Every week with the Little Guy has its joys and challenges, and one major challenge as he hits the two month mark (two months?! Where did the time go?) is his disinterest in napping. At least for this week. Next week, who knows?

And therein lies the difficulty. Like a clever little time-hacker, the LG’s constant changes make it nearly impossible to set any kind of goal. Will he settle down after eating and allow me 20 minutes of time to throw in a load of laundry, grab some food, or jot down a few more research notes for the current novel project? Or will he spit-up all over himself and me for the third time in two hours? Will he refuse to settle down for a nap and scream all afternoon because he’s tired, but can’t figure out how to sleep? Or will he be wide awake and adorable, making it impossible to get anything done, but d’awwwww who cares, I don’t ever want to look away from the cute! Will he enter a growth-spurt which will return us to  the feed/burp/10 minutes of smiles and alertness/IMSTARVINGZOMGMOMFEEDME routine of his first several weeks? Or will he crash out mid-afternoon for a two hour nap that comes so rarely these days I can’t help checking every five minutes to make sure he’s still breathing?

Or will he take a tremendous dump that spills out of his diaper and compromises not just his clothes, but a blanket, the cover to his bouncy seat, and a pair of my pants? (Which he just did…oy…) >_o

Needless to say, it’s complicated things a bit in the goal-setting arena. I do my best to remind myself that this time is just inherently chaotic, and to just let go and go with the flow. Most days, I manage that pretty well.* But sometimes, it feels like I’m on the Heart of Gold, flying at random through the universe with no tether.

My husband’s been great this week with trying to allow me a single spare hour to sit alone in a room and recuperate from the inevitable ringing in my ears. It’s not everyday, but it’s still lovely. In the silence, I get a tiny piece of my mind back, and I can do something just for me, to remind me that I do still exist as an independent entity from the LG. This last week, I’ve been working on the preliminary research for a novel. It’s been great. One hour, just one precious hour when I don’t have to worry about being interrupted, when I can be surrounded by quiet, when I can recharge my social meter, when I can just focus on me.

And after that, I’m ready and roaring to take on my mommy-mantle again. After all, who could spend more than an hour away from a face like this?:

Ryan

*I’ve become much better at typing single-handed on the laptop or phone, even to the point of posting blogs like this one! I’ve come to realize how active I really like to be, even though I’d consider myself a Type-H personality (H = horizontal). But after four weeks of being able to do nothing but watch TV because both hands were needed all the time: yeah, I feel the gnawing desire to be productive again.

Publishing/Editing, Writing

This Week’s WOW!: The Coming of Uncanny

uncanny

This week, former editor-in-chief of Apex Magazine, Lynne M. Thomas announced that she and co-editor/husband Michael Damian Thomas are creating a new spec fix webzine. I cannot even begin to explain to you how awesome this is, so let me hit the highlights:

1. Lynne & Michael are rockstars. Apex Magazine under Lynne and Michael was fabulous. They’re great editors with great taste and great connections. They’re also very efficient and supportive to work for. Under their guidance, Apex Magazine netted two Hugo award nominations in 2013 and 2014, so you know they know what they’re doing.

2. They’re looking for diverse voices in SF. Even before Apex, both Lynne and Michael have been devoted to bringing traditionally unrepresented voices and POV to the printed (and digital) page. Lynne co-edited the nonfiction book CHICKS DIG COMICS and CHICKS DIG TIME LORDS, among others, which sought to bring often overlooked female fandom into the light. Michael co-edited QUEERS DIG TIME LORDS, celebrating LGBT Doctor Who fandom. They have great eyes for finding amazing work that in the past may have struggled to find supportive markets for the POV’s they share. This, more than anything, is why you should keep Uncanny on your radar.

3. A new market means more opportunities for a writer’s work to find a home. And they’re hoping to pay $0.08/word! It won’t be long before it’s a feather in your professional cap to have Uncanny in your list of previous publications.

So definitely check out what they’re doing over there, and do consider donating to their Kickstarter, because this is going to be one of those markets you’re going to want to say, “I knew them when…”