Journal

BOOK THOUGHTS: Zero K by Don DeLillo

Zero K by Don DeLillo seems like it was written for me. It’s a quiet, contemplative, just-on-the-verge-of-speculative literature. It’s looking at immortality and cryonics, at the cusp of the world crumbling. It’s philosophical, metaphorical. The setting, at least to the point that I’ve read, is comprehensively odd, disorienting, and unnerving, while also being mundane in a way I would typically love. 

But I just…can’t. I’ve been trying so hard! I should love this book. It’s got everything I like. I’ve adored works by Colson Whitehead and Haruki Murakami and Meiko Kawakami and Samanta Schweblin and JM Coetzee and Kazuo Ishiguro and Rachel Ingalls. I LIKE quiet books with a little weirdness! I like philosophical works! I like calm, quiet places and calm, thoughtful characters and AHHHHH-! I’m losing my mind trying to figure out why I just dread picking up Zero K at bedtime. It’s not even long! It’s short! A short novel! Another thing I typically love!

*rips hair* 

It feels flat, to me. It feels like getting stuck with your back against the wall at a party on a campus where some new young-ish professor or TA is droning at you, and  you’re so, so bored of his perspective, and yet you don’t want to be rude and just walk away. And you don’t want to imply that you’re just too stupid to “get” what he’s serving up. So you stay, and try, but there’s no back-and-forth, no interaction, just you listening and him droning and time slowly, slowly, slowly ticking by—minutes of your life that you’ll never get back. 

But WHY? Why does this book feel that way, when other books that are in many ways almost identical in tone, style, and subject some of my favorite books of all time? Where’s the disconnect? 

That said, the more I think about it, the more I realize that this particular type of fiction—quiet, mundane, contemplative, a touch weird—does run the risk of boredom at times. I’ve DNF’d one of Whitehead’s books. I just didn’t connect to it the way I connected to The Intuitionist or Zone One. I enjoyed Ms. Ice Sandwiches by Kawakami, but I wasn’t blown away by it. Disgrace by Coetzee was…fine, but didn’t absorb me like Waiting for the Barbarians. Men Without Women: Stories by Murakami was…fine, but not especially memorable, unlike 1Q84 or The Elephant Vanishes, which are some of my favorite books of all time. 

Maybe that’s just the risk of this kind of story, that it won’t always land, even for the readers who should love your work. That said, I still finished most of those less-favorite books by favorite authors. So maybe I just picked a bad DeLillo to start with. Maybe I’ll try another one someday, because I should like his style. Maybe another one will hit better. 

In the meantime, I’m afraid I’m going to have to chalk this one up to one of those freakish magnetic repulsions of nature: I try to click with it, and it feels like I’m being actively pushed away. I don’t know what force it is that’s making it feel that way, but I’m going to DNF this one so that I start reading at bedtime again. 

Journal

Fighting Inertia, Graveyard Apartments, and Common Plotlines

What I’m working on this week: This week has been all about getting back onto the horse in terms of writing new things. Truth be told, I’ve been feeling so drained and braindead lately, it’s been a major challenge to get myself excited to work on anything, even old drafts that aren’t all that far off from getting out the door. Still, I’m maintaining the habits I need to in order to get moving again. Monday, I went to the office, and worked for a solid two hours reviewing and making edit notes for a short story called, “The Trash King,” about a toxic friendship and a guy with a seagull head, set on the University of Hawaii Manoa campus. I really like a huge amount about this story, though there are–of course–things to tweak and edit. I’m trying something new with my editing process on this one, just to see if it speeds up the process: I’m retyping each scene from scratch, implementing changes as I go, and THEN, before I move on to the next scene, I’m doing my word-cull and polish pass. Will this save me time? I have no idea. Quite honestly, it may not. But I’m curious about how it would feel to essentially be DONE with a story by the time I finish the last scene, prior to a read-aloud pass and final polish which only takes about a day. BUT I DON’T KNOW! It might be needlessly complicating! That’s what experimentation is for, right?

So I’ll be chipping away at each scene in this story, culling each scene and then moving on the next. I always find it hard to track progress during the edit pass. New drafts are easy (and seductive) to track: you just note your word count. Editing is amorphous. You might spend an hour just thinking about why a scene isn’t working, which doesn’t *feel* like work, even though it absolutely *is*. So I’m kind of loosely tracking by time, right now. I’d love to have some data about how long editing actually takes me on each story.

What’s inspiring me this week: I just finished reading The Graveyard Apartment by Mariko Koike, which I quite enjoyed. I’m still processing some of my thoughts on it, but I’m hoping to get back into the process of thinking through what I learned creatively from each book I read. The Graveyard Apartment is a spooky, modern ghost story. It’s quiet, with moments evoking that quintessentially Japanese take on ghosts/spirits/demons, which I’ve always enjoyed. Lots of family drama, and tense moments of growing dread.

I’m partway through Twenty Master Plots: and How to Build Them by Ronald B. Tobias. I found this book after utilizing a list of twenty common plots to generate prompt ideas from. When I picked this one up, I was skeptical that it could provide much of interest to me, but I’m finding it an absolute TREASURE TROVE of information about how certain plots work, structurally. It’s fascinating and inspiring. I feel like–as a writer who constantly struggles with plot and structure–it’s giving me some great tools for analyzing my own work. This book alone has made me realize what was so freaking wrong with one of my novel drafts that failed a few years ago–I was trying way too hard to do too much and didn’t understand the fundamentals of a Rescue plot (which was why my choice of character struggled to do what was necessary for the plot, and why the deeper soul-searching bogged it down, and why the romantic storyline fell apart, and why it felt like I could never land a satisfying ending). It’s been refreshing and illuminating in ways not all writing books are, but I’ve really, really enjoyed it. It’s made me want to attempt one story of each type of plot, just for a fun constraints-exercise. Who knows, maybe I will someday! In the meantime, I feel like it’s really helping me with what plot is and how it works. I withhold total recommendation until I’ve finished it, but so far, I’d say even the first 100 pages are worth checking it out for.

In completely other news, the construction project is front-and-center on most of our minds, right now! The in-law apartment is very nearly done, but the finishing details are taking forever, which–from what I hear from others doing these kinds of projects–is entirely normal. But we’re chomping at the bit! The old bookshelf came out of the Great Room yesterday, and we’re hoping that means they’ll be cutting through soon! Then the library will really get started! EEEEE, I can’t wait! Pictures to come.

Otherwise, I’ve been playing a lot of Spiritfarer, which has prompted a lot of interesting conversations about death and dying and grief with the boys, who like to watch me play. It’s interesting how much emotion this game evokes in everyone, and there have been a few times we’ve all been nearly on the verge of tears escorting a spirit we’ve come to love to the Everdoor to say goodbye.

What’s challenging me this week: Just the inertia block that comes at the end of finishing one project and shifting gears into another work. It doesn’t come naturally, and I’m always afraid of Stephen King’s warning that with short fiction, you’ve got to use it or lose it. Finding a way to balance long projects and short projects regularly will probably be a necessary process development I’ll need to figure out.

Stay healthy and enjoy the week!

Journal

THREE QUESTIONS: EC DORGAN

EC Dorgan’s story, “The Beast-Consul,” asks us into the offices of the mysterious Consul, a woman whose world feels deadened and grey, and who cries every time the moon is full. When her colorless world of endless duty and work is suddenly penetrated by the sight of a wildly colored bird, she finds herself hungering for the woods of her youth and its secrets. But can the Consul survive bearing witness to the monster of her past once more? 

Read it in Metaphorosis: Best of 2023 now available on Amazon!

1. The Writing  Question: Do you tend to plan your stories before you write them, or do you write and just see what you discover in the process?

For me, stories start as strong images and emotions. I try to use those images and emotions as compass points to guide me forward in writing. I often have an end-point in mind, and key images/emotional moments but otherwise I am not a big planner. 

2. The Spec Fic Question: What draws you to writing speculative fiction? Do you lean more towards one genre (science fiction/fantasy/horror) more than others, or do you like to mix them together?

I’m drawn to the creative possibilities, and the space to explore big emotions and difficult truths. I tend to mix genres, leaning into horror, magic realism and definitely the surreal. 

3. The Oddball Question: What are you currently reading?

I just finished Tiffany Morris’s Green Fuse Burning and loved it.


EC Dorgan writes dark fiction and monster stories on Treaty 6 territory in Alberta, Canada. She spends too much time wandering in forests and watching birds.

Journal

MISSION COMPLETE: Novel Draft 2 is finally done!

*And the author faints with relief onto the couch with a sigh.*

It’s done. Draft 2 of Dirty Bone, started 5/1/2023 came in at 80,707 words this morning, 2/5/2024, at 10:10am. I haven’t printed it yet, so I don’t know how much it weighs, but I suspect it’ll be 11 inches long.

Phew. Man. I’m still processing this. I’ve been focused on getting this draft wrapped for the past EIGHT MONTHS. I can’t believe it. It’s just… off my plate now. For a little while, anyway.

SO! Next steps. I’ll be sending the draft to a few trusted friends to review and give me those big picture edit suggestions. I’m not going to look at it for probably about two months, if I’m being honest. I need the space. I need time to make something new that ISN’T this so I can come at it fresh. So that’ll put us at about the beginning of April. Then I’ll re-read it, and make my notes and general outline. After that, once I get notes back (I’m aiming for notes back by the end of April–that’ll give me time to re-read and think a lot prior to other people’s input), I’ll go through those and correlate them with my own edit thoughts, and then we’ll be diving into Draft 3 to get it ship-shape. Draft 3 will probably also end up running into Draft 4, where I’ll be trimming back, cutting words like crazy, and then the final read-aloud pass to tighten it up into something close to decent prose.

So for my own sake, I’m jotting down this timeline:

FEB-MAR – Rest period. Sent to beta readers.

APR – Re-read and take notes for edit.

MAY – Review beta reader notes and compile edit list and plan.

JUN-SEPT – Edit + Polish

OCT – Compile Agent List and Prep Query Packets

NOV – Submit to Agents

DEC – Off for holidays & post-NANO Agent Flood

JAN 2025 – Continue submission process

Truth be told, I suspect this timeline will expand, as my timeline for Draft 2 expanded, but I’ll use this as my ballpark for now. I’d really like to be getting this thing out the door by the end of 2024, even if it’s just the first submission packet by the end of November 2024. If I have to wait until 2025, that’s okay, but I want it ready to go out the door in January at the latest.

Optimistic? Probably! But we’re going to do our best! Now I’m going to go collapse…

Journal

#NoNewThings: or How an Introvert Embraces Something Like Minimalism

Today, February 1, marks the start of my #NoNewThings challenge. I learned about this via Shira Gill’s Instagram account and weekly newsletter (check out her books Minimalista and Organized Living, two books I read last year and loved). In essence, it’s a challenge to buy nothing new, no new stuff–you can thrift, you can swap, you can borrow, share, make, etc. You can go out to eat; you can buy groceries and household necessities (aka toilet paper/detergent/etc.). You can rent videos or take classes or go out to the movies–it’s purely about avoiding bringing brand-spanking new things, stuff, non-necessities into the home.

I wanted to give this a try because I’ve found lately I’ve been very thoughtless on what I decide I “need” and my buying history is–while not excessive or debt-inducing–steady and very likely unnecessary. I just want to have to think a little harder about what I decide to put in my shopping cart (especially online, because hooobaby, it’s too easy). I like little things. Notebooks (notebook hoarder, hello-!), stickers, stamps, pens, post-its, books, that kind of thing; and then there’s things for the home–organizing things, cute little things for the boys (love language = giving, yeah, 100%), dog toys and treats, cleaning equipment, adorable decor, just…stuff. It’s just so easy!

It’s only been one day into #NoNewThings, and I’ve already listed five things on my calendar (a tip from creators Shira Gill and Ashlee Piper: document what you want to get as it occurs to you) that I wanted to buy and totally would have if I weren’t trying this. They’re small things. A book on writing craft (okay, two), command hooks for the house (which, yes, are nice, but we’ve got a few left in our last kit, and honestly, I don’t need them right now), an XL raised dog bed (because the pooch has well outgrown his old one, but he’s also fine on the carpet for now, too, so it’s not urgent), and small hoop earrings I could wear at night (because after having two boys at earring-pulling age back to back, it’s been years and years since I wore regular earrings, and my holes like to close up after too long–BUT AGAIN, they’ve been doing this for years, and it’s not going to get substantially worse in the next month). NONE of these are needs. They’re all wants. So I’m trying to be aware of when those wants pop up and why, and also to keep track of them, so I don’t feel the need to think about them all the time, for fear of forgetting.

It’s funny, though: after just a single day (or more like three days, leading up to today), it’s like the simple act of thinking “No” has opened the valves on the “WANT” dam. I can’t stop coming up with things I’d like to get–stupid little things, new stationary, nothing outrageously expensive, but in that $5-20 dollar range–but even cheap, those things add up over the course of the month. None of it is stuff we can’t afford. That makes it harder, in some ways, because there’s no urgent need not to spend. But it’s still a craving, and I’d like to get a better understanding of where that craving sensation comes from. I dislike how mindless my spending (even minor spending) has become, and how easily I bring stuff into the house.

This is a good time for me to look at what we bring in because we’re on the verge of getting our house to ourselves again. After almost four years, my parents’ in-law suite is almost finished, which means they’ll be able to move in (we hope!) by perhaps the end of the month. I know that the transition will likely tigger a desire to offload and upgrade our household items–to pick “what we really want” for dishes/furniture/etc. to replace what my folks will take with them–now that it’s fully ours to do with as we’d like. But I also want to reduce our things-footprint overall, for one very basic, simple reason:

I HATE CLEANING.

I hate it. There are so many other things I’d rather be doing and/or creating, that taking care of our stuff, our sh*t, our things, is just maddening to me. I’ve never been a naturally tidy person. I got my first taste of the “neat life” in college, due to a crippling conscientiousness that made the thought of inconveniencing my roommate because of my mess absolutely unacceptable. At the same time, however, by keeping things spotless for the sake of the poor individual randomly assigned to live with me, I learned how much I enjoyed a simple, tidy space. I could breathe in a neat space. I felt more relaxed. I learned I liked living that way.

(It also helped that for three semesters, I attended school in Hawaii, two six-hour flights away from home, and to which I could only bring a pair of 50lb suitcases, a carryon, and a pillow. I didn’t bring anything that wasn’t essential, and I loved that simplicity. I still accumulated some things while there and had to offload some stuff at the end of every semester (mini-fridge, anyone?), but I was severely limited in what I could bring and take back with me on the plane. I doubt I could live that simply now, but back then it was a great exercise in living small.)

I still crave that simplicity. Once you have kids and the THINGS multiply exponentially, it’s easy–especially living in a full-sized house–to fill almost every crack and crevice with stuff. It happens without even thinking about it, and usually I only realize how much we have when we move (and become overwhelmed by SO MUCH CRAP).

I long for easy home-care: a uniform template for my closet; basic daily habits; simple and repeatable cleaning routines; easy tidying and a home for everything; basic time-management–all so I can spend my brain time on creative pursuits and having fun with my boys and training the rancor–I mean, the dog–gardening, reading, and simply taking time to sit, be, and enjoy the life we’re building for ourselves.

Sometimes I find the extroverted undercurrent of minimalism off-putting. The idea that getting rid of “things” and spending less on “stuff” means the end goal is going out into the world, traveling a ton, and “making real memories” out and about doing things beyond the home just gives me that sinking anxiety to think about. I like traveling, a bit. I like doing things out and about, some. But what appeals to me most about having less is the visually soothing nest, the sanctuary from the craziness of life, the oasis where you can hear yourself think and replenish your energy. This is in no way to knock my maximalist friends, with their chic, tidy, emporium-style homes full of treasures and textures and color–I like that too, I just know myself enough to know that if I did that, it’d get CRAZY DUSTY and I’m too lazy to keep that much stuff looking sharp like they do. That’s just my own personality–I love visiting their gorgeously decorated homes!

For me, I just want to have space to sit down and read without having to first shuffle away the laundry and snack wrappers and piles of blankets that accumulate so quickly. I like the idea of being able to vacuum easily because I’m not roadblocked by all the crap on the floor 95% of the time. I don’t need totally clear, white counters and everything hidden behind cabinet doors. I like books and an overflowing library. I like a little texture and color (I’m daydreaming of a plant-infested, dark TV room with a leather wrap-around couch and funky rug and dark navy-built-ins and art everywhere–there’s my maximalist streak…mmmmm….).

But I do want to know that we have what we need, and how to find it, so that even the boys can tidy up after themselves easily. I want to be able to clean and dust in a simple, streamlined way without the dread (like now) that every chore requires six unrealized steps before the cleaning can even START. I want a soothing, comfortable, cozy nest, not a home-shaped pile of junk we don’t even really care about.

Simple and cozy. That’s what I want. And this #NoNewThings challenge is a good way for me to start examining my own consumerist habits with a little more skepticism. I’ll try updating how things are going for the next few weeks as the challenge continues and let you know how I’m holding up!

Journal

THREE QUESTIONS: Cidney Mayes

When a little girl from the deep, forgotten streets of New York goes viral for her artwork, she finds herself thrust into a whole new world of opportunities in the heights of the Cloud district of her city, where the monied live in luxury. But when your art gives you everything you’ve ever wanted, what is your responsibility to those who you left behind? Cidney’s story really spoke to the inner artist in me, posing questions about the purpose of art and the responsibilities of success. It’s a shockingly fast story you won’t be able to put down, and you’ll come out of it renewed, invigorated, and ready for battle. 

Read it in Metaphorosis: Best of 2023 now available on Amazon!

1. Writing Question: What is your typical writing routine?  

An author I admire, V.E. Schwab, once said in an interview that the best routine a writer can have is to not have any routine at all, lest we become dependent on the ritual at the expense of getting words on the page. I heard that advice very early into my writing journey, and it has stuck with me. I find myself writing at all times of afternoon and evening, even if it’s just a few hundred words here and there. Even with those intentions, I am still most productive at night and have a much easier time drafting when I have non-lyrical music to listen to. My writing playlists, usually movie scores, allow me to place myself inside the scenes with my characters where I am able to visualize events unfolding and record what I “see.” Copious cups of tea also help. 

2. Spec Fic Questions: What’s the best SF short story you’ve ever read? What about it really spoke to you?

I am a huge fan of Fran Wilde’s “Unseelie Brothers, Ltd.”, which chronicles the return of a mythical atelier shop that makes stunning gowns for society’s elite before disappearing. I love the setting, the character development, the slow unraveling of mystery like pulling a thread. Wilde manages to do so much in an 8,ooo word story, and I became enthralled by her world-building. Her inclusion of excerpts from a society magazine that highlight and detail the Unseelie Brothers dresses, who wore them, and for what function, really immerse the reader into the alternative New York setting. This is a story I turn to when I am feeling uninspired or stuck, and highly recommend it if you love tales of the haves and have nots, the cost of staying in the spotlight, and magical alternatives to familiar settings. 

3. Oddball Questions: What’s your favorite non-writing hobby?

I enjoy playing video games, especially Nintendo or story-based games. Night in the Woods is one of my all-time favorite narrative video games, and reminds me of Stephen King stories. It’s one that is unafraid to delve into darker topics, while still maintaining humor and connection to the characters.

 I’ve been a Mario Kart fan since I was a kid, and enjoy party games where I can play with friends. Exercise is also really important to me, so any games like Just Dance or Fitness Boxing are fun, too! I just finished my first play through of Hogwarts Legacy and am currently downloading Baldur’s Gate III. I love playing tabletop role playing games, and am excited to dive into this one! 


Cidney Mayes is a middle school librarian from Portland, Maine with a passion for anything magical. When not writing, she enjoys giving tarot card readings, walking outdoors with a good audio book, or playing board games with her husband and friends.

For more about her fiction, visit Cidney’s website at https://cidneymayes.com .

Journal

THREE QUESTIONS: Damian Stockli

“She Was the Universe” is a beautiful ode to what makes life worth living, even as the universe caves in around us. Stockli’s characters come alive in the desolate aftermath of a cosmic-scale event that leaves Iceland isolated and growing ever colder. Heartbreaking and resonant, “She Was the Universe” will haunt you into the lonely night. 

Read it in Metaphorosis: Best of 2023 now available on Amazon!

1. The Craft Question: There are hundreds and hundreds of books on writing out there. Do you have one that you especially cherish?

I’m probably not the only person with this answer, but the first book on writing I read was Anne Lamott’s Bird by Bird: Some Instructions for Writing and Life, and it’s the only one that I consistently return to. You can find a hundred books on the technical side of writing, and a hundred different approaches to the technical side of writing; those are useful, but what I appreciate so much about Bird by Bird is its emphasis on the emotional life of a writer and mental hygiene. When I’m frustrated with my writing I usually need something in that vein, not another manual on structure.

2. The SF Question: What is your biggest pet peeve in SF/fantasy/horror? Any inaccuracy or trope that just drives you crazy when you encounter it?

This one has been popular recently: humanoid robots as an allegory for civil rights, class conflict, or wartime injustice. From a hard speculative standpoint, I think this is always absurd. Limiting each individual A.I. to a single body, so that something like a “race” of robots is possible is impractical and ridiculous. So many assumptions are implicit in this creative move. From an artistic standpoint as well, it always feels in bad taste—what does the replacement of marginalized people with robots do other than re-present historical violence without representing the people who actually experienced it? David Cage’s game Detroit: Become Human was an egregious example of this. Another recent offender is Gareth Edwards’s film The Creator. I just find this stuff unimaginative and offensive. A counterexample that is both speculatively and artistically rich would be Ted Chiang’s novella The Lifecycle of Software Objects.

3. The Random Question: What was/were the best book(s) you read in the last year?

Last year I finally read Borges’s collected fictions as well as Stanislaw Lem’s Solaris! I think both will stick with me for a long time, especially as I write speculative. On the more literary side, Elaine Castillo’s America is Not the Heart and Kazuo Ishiguro’s The Remains of the Day were very pleasant surprises for me!


Damian Stockli is a writer and graduate student from the Hudson Valley, in New York State. Visit his website at https://damianstockli.wixsite.com/stockliblog.

Journal

House of Last Resort & Other Things

Phew! It’s been a short bit since my last update, but that’s because it’s been CRAZY. Several snow days and some gnarly colds meant bad nights of sleep and also no office time, so I only got into the office once in the past two weeks on Wednesday. But I forgot to bring my computer charger. O__O Did I give up, though? NO! I tried dictating, which was super weird, but incredibly fast. I ended up with close to 1.2k for the day, which given I didn’t have my computer available, was pretty sick. 

Then, Thursday, it was off to Christopher Golden’s House of Last Resort convention! The idea came from Brian Keene as a one-time convention to celebrate Christopher Golden’s 30 year career to this point, and also to launch his new book (HoLR).

It was so much fun! Not only did I get to hang out with beloved friends I don’t get to see often, as well as my bestie, I also had lots of great conversations. I met some folks I’d only ever encountered by name on the bookshelves of B&N, and they were so kind and funny and enjoyable to hang out with. Plus, I got a STUPID amount of work done, because my pal Maurice invited me to his AM writing sessions. In the past four days, I have generated 10,000 words, and am within sight of the novel’s ending. Oh, and I got a request to read my work from an author I deeply admire and had a great extended conversation with, too!  

It was like one of those daydream cons you wish would happen but never really manifests in reality: hanging with these amazing folks, chatting, deep-dive writing discussions, laughing, asking for signatures super casually, sharing appetizers, feeling like you’re just chilling as part of the gang… It was an epic weekend. The writing that got done is just delicious icing on the cake. (But, like, top-notch Is it Cake level buttercream frosting.)

So I’m coming down off that experience this week. For those who know me, that means I’m incredibly socialed-out and need to veg and recuperate. Also, I picked up either some con-crud cold (not Covid, thankfully!), or the garbage cold Thing 1 had last week finally caught up with me. It’s not terrible, but it’s drippy and sinus-y and annoying. Even so, I nailed my work yesterday, so I’ve only got maybe 4-5k left on the novel. Of course, that 4-5k are all super intense, emotionally demanding scenes that need a lot of focus to write them, sooooooo—yeah! But I’m excited to do them if only because once they’re done, I’m done! 

In other news, I’m prepping some short interviews with my fellow Best of Metaphorosis 2023 writers and cover artist, so keep your eye out for those starting soon!

Also, if you like horror, I highly recommend checking out Christopher Golden’s House of Last Resort, which he read the opening of at the convention. The premise is based initially on those houses in Europe selling for 1 Euro in the hopes of drawing new people to towns that are dying out, encouraging renovation and bringing economic life back to those areas. And then, of course, hidden catacombs. Because who doesn’t love hidden catacombs? But the opening is so incredibly gripping, I cannot wait to dive into this book, so if that sounds like something you’d enjoy, definitely check it out!

Journal

Best of Metaphorosis, Daily Rituals, & Party Planning

What I’m working on: The new year has officially started, and I’m still recovering from the holidays! I have gotten some work done, a little more sporadically than I’d been hoping (one always wants that out-of-the-gate BANG at the New Year, but so often the first week of January seems sick, slow, and baffled), but the novel is progressing. Last week, I sat down and mapped out all the remaining scenes I’m going to need to hit the end of the book. I’m typically 80% pantser (100% in the first draft–I like following my gut and seeing what sounds interesting to me in the moment) and 20% planner, that 20% coming in particularly at the very end of a draft when all those fiddly strings need to be tied off. It’s just too much to keep all in my head at once. I’m just 2.5k shy of hitting 60k, but I anticipate the draft will come in around 75k total, so I’ve got a lot of work left to do. At least I can see what needs to be done, now! I’ve been trying to work in a few extra sessions during the week to pick off 1k here and there, and that’s been working okay (until today–today we have sick kids again *sigh*). But I’ll keep chipping away at it. I’m hoping to have the draft close to wrapped by 1/18, when House of Last Resort kicks off, or at least within easy reach!

Also, in delightful news, I just learned that my short story, “Catching College,” will appear in the upcoming Metaphorosis: Best Stories of 2023 anthology! I’m super excited about this, because that little story has absolutely delighted me, and it took a LOT of work! It was also reprinted in SFW in China this past summer, translated into Mandarin, and if my physical copies ever show up (thanks USPS), I’ll post some photos! *fingers crossed* I’ll be posting some brief THREE QUESTION interviews with some of my fellow contributors to this anthology, so keep an eye out for that on and around January 15th!

What’s inspiring me this week: I’ve been obsessed with Daily Rituals of Women at Work by Mason Currey this week–just reading about all these fascinating artists and writers and actors and dancers, learning what their day-to-day lives were like: it’s been fascinating. I’m definitely a lover of routine and dependable scheduling, and systems for simplifying all the ordinary drudgery of keeping the rest of life in running order. I’ve also picked up an ebook copy of Productivity for Creative People by Mark McGuinness, which was referenced in another book on productivity (From Chaos to Creativity: Building a Productivity System for Artists and Writers by Jesse L. Kwak). I’m enjoying it so far, and finding little tidbits of things that would be useful to try. I’m always interested in systems and habits that make life easier!

Andy and I also saw Godzilla: Minus One this past week, and OMG, we loved it. An absolutely wonderful addition to the universe, and proof yet again that Japanese Cinema does Godzilla best. We shuddered! We cried! We had major feels! It’s like Miracle on 34th Street but with kaiju and destruction. I always think it’s best to go into films with low expectations, so I don’t want to oversell it–it may not hit you the same way it hit us, but we both walked out of the theater feeling like movie magic was still a thing. Very satisfying!

Everyone here at Chez Slater is getting PUMPED because the construction project is nearing (slowly) its completion, which means my folks will have a nice, quiet space just for them, and we’ll get our house to ourselves! It’s been three years since we moved in with my parents, and a year since we bought the house from them (it’s the house I grew up in, in the town both me and Andy grew up in, so major hometown vibes–“You know, the old Wentworth place? Yeah, they moved 20 years ago, but we still call it the Wentworth place. That’s the one.”–we are those people), and we’re all going a little batty all on top of each other. I suspect once they move in, we’ll all burrow down and spend some much needed time apart before getting back into a healthy and happy schedule of hanging out (we actually all get along very well, but the roommate lifestyle is wearing on all of us at this point).

Challenges I’m facing this week: It’s getting near Thing 2’s birthday, which means party planning, birthday shopping, and cake making, which always throws a wrench in the regular schedule. Ah well! This is the first year he’s having a party, so I think it’ll be really special. Then after that, I’ll be at House of Last Resort, so if you’re in the area, come say hi!

Journal

40k, Living Cities, and a Personal Checklist Zine

What I worked on this week: This week was once again all about getting back into regular routines. The kiddos (**knock on wood**) are healthy for the moment, so I got back into the office THREE WHOLE DAYS this week, which was great. The writing itself fought back a bit early on–things needed to be shifted around, sections cut, reconsidered, brainstormed, etc.–but I feel like I’m on the cusp of the words flowing again after the 1/3 stall-point. I’m more than ready! I’m finally (FINALLY) past the 40k marker, which felt like it’d never come. According to my calculations, I’m about 2k behind where I was hoping to be by this time, so I may need to spend some weekend time picking up a little slack–even just 500 words here and there to inch it forward. There’s so much work left to do on this thing, but it’s getting there. Slower than I’d like, but we’ve had more sick days than I’d have liked.

I also did some fun brainstorming/plotting on a thing which is of absolutely no consequence (a sequel novella to my ancient Thief fan fiction that’s been teasing my brain lately for fun), but who know when that’ll happen. It’s been fun, though, to have a little “cheat” project on the side that really, truly, doesn’t matter beyond its appeal to me. Sometimes when “serious” projects get hard, I need a little reminder to play.

What inspired me this week: This week, I’ve been enjoying Andy’s enjoyment of Into Thin Air, which he’s currently audio-booking. It’s inspired us to once again revisit Everest: Beyond the Limit which is a fabulous reality-TV styled look at what climbing Everest is actually like, and I’ve seen it several times through (most recently about four years ago when I was preggers with Thing 2). I enjoy revisiting it, and I believe the Everest movie is still at the Boston Museum of Science IMAX, and we’ve all been wanting to check that out again. It was the first IMAX I ever saw there, and it spawned a love of arm-chair adventuring and the Mugar Omni Theater that continued every year on my birthday for many, many years.

The boys and me have become obsessed with a new game! Spiritfarer, which is a Miyazaki-esque romp through the afterlife, tending to ghostly needs, making things, fishing, and crafting, and generally boating around. We’ve been low-grade competing to see who gets farther faster, and right now, I’m pleased to say I’m at 11% complete, and the boys are right behind me at 9% (but gaining fast and figuring things out faster than I am, so…yeah–I’m on the edge!). It’s soothing and relaxing, and Thing 2 is delighted he can “be the cat!”

Otherwise, I’m diving in Piranesi by Susanna Clarke and really digging it. It’s like a city from Italo Calvino’s Invisible Cities came to life as a whole book, and I’m just-! Wow. *drools in delight* It’s absolutely fascinating, and I’m enjoying it as my bedtime read. Also enjoying Woman in White by Kristin Dearborn, which feels like a combo of Junji Ito meets Tess Garritsen. It’s fun and it’s short! Check it out if you need some MaineCore horror in your life.

Just started Rick Rubin’s The Creative Act: A Way of Being, which is very poetic, flowing, and has given me some very interesting thoughts on the nature of creativity. It really lines up with a lot of what I think about art and art-making, so in some ways, it’s preaching to the choir on my part, but I’m enjoying it and the thoughts it’s stirring up out of my brain-silt.

What will be challenging next week?: Next week, I’ve got a much anticipated brief trip, and that’ll take out one of my writing days (oh please, oh please, let me be healthy!), but otherwise, it’s just the same old challenges. I did make a “Mommy’s Little Cheatbook” zine which has all the things I need to do early in the morning and late in the afternoon when my brain tends to shut down and lose track of time. This way, I can check the list and go, AH YES! Pack the preschooler’s snack bag! Of course! That’s what I’m supposed to be doing! It seems to help, even just knowing it’s there. We’ll see how much it gets used next week.